|
Jan Van Eyck
|
||||
|
|
||||
| 1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425. | ||||
|
|
||||
|
The Dog new11/Jan Van Eyck-668979.jpg Painting ID:: 37824 |
mk129 a symbol of devotion since time im-memorial, Stands for conjugal fidelity. | ||
|
|
||||
|
Francisco Goya
|
||||
|
|
||||
| 1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23). | ||||
|
|
||||
|
The Dog new11/Francisco Goya-544826.jpg Painting ID:: 38311 |
mk132 1820-23 Oil on plaster transferred to canvas 131.5x79.3cm Museo del Prado Madrid | ||
|
|
||||
|
Henriette Ronner-Knip
|
||||
|
|
||||
| was a Dutch painter. Born Henriëtte Knip in Amsterdam, she moved at a young age to Den Bosch and was until 1850 active in Sint-Michielsgestel and Boxtel. That year she married Feico Ronner and moved to Belgium, first to Brussels and in 1878 to Elsene. She studied with her father, Joseph August Knip. She was best known for her paintings of subjects from nature, especially cats and dogs. | ||||
|
|
||||
|
The Dog new22/Henriette Ronner-Knip-422292.jpg Painting ID:: 67098 |
The Dog Cart by Henriette Ronner-Knip (1821-1909) oil on canvas, 101.6 x 147.3 cm (40 x 57 7/8 inches) | ||
|
|
||||
|
Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online: |